BEGIN:VCALENDAR
VERSION:2.0
METHOD:PUBLISH
CALSCALE:GREGORIAN
PRODID:-//WordPress - MECv6.2.5//EN
X-ORIGINAL-URL:https://acfny.org/
X-WR-CALNAME:Austrian Cultural Forum New York
X-WR-CALDESC:
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-PUBLISHED-TTL:PT1H
X-MS-OLK-FORCEINSPECTOROPEN:TRUE
BEGIN:VEVENT
CLASS:PUBLIC
UID:MEC-5bd53571b97884635d13910db49626bc@acfny.org
DTSTART:20110922T080000Z
DTEND:20110922T180000Z
DTSTAMP:20211210T220500Z
CREATED:20211210
LAST-MODIFIED:20211210
PRIORITY:5
TRANSP:OPAQUE
SUMMARY:MEET THE COMPOSER | COMPOSER PETER ABLINGER
DESCRIPTION:Renowned Austrian composer Peter Adlinger will engage in a dialog with Marina Rosenfeld and Brian Kane. It will be a lively conversation about Ablinger’s compositions and the development of new sound that also includes several multimedia presentations on the composer’s work.\nAlthough it was often explained to me, I can still never say how wheat and rye are different. But I can hear the difference… Peter Ablinger\n\nPeter Ablinger was born in Schwanenstadt, Austria in 1959. He began studying graphic arts and was enthused by free jazz, but completed his studies in composition with Gösta Neuwirth and Roman Haubenstock-Ramati in Graz and Vienna. Since 1982 he has lived in Berlin, where he has initiated and conducted numerous festivals and concerts. In 1988 he founded the Ensemble Zwischentöne. In 1993 he was a visiting professor at the University of Music, Graz. He has been guest conductor of ‘Klangforum Wien’, ‘United Berlin’ and the ‘Insel Musik Ensemble’. Since 1990 Peter Ablinger has worked as a freelance musician. Peter Ablinger is one of the few artists today who uses noise without any kind of symbolism – not as a signifier for chaos, energy, entropy, disorder, or uproar; not for opposing something, or being disobedient or destructive; not for everything, for eternity, or for what-have-you. As in all these cases of music deliberately involving noise, noise is the case, but for Ablinger: this alone. Peter Ablinger has also come a long way in questioning the nature of sound, time, and space (the components usually thought central to music), and his findings have jeopardized and made dubious conventions usually thought irrefutable. These insights pertain to repetition and monotony, reduction and redundancy, density and entropy. (Christian Scheib, edited by Bill Dietz)\n\n\n\n\nMarina Rosenfeld is a composer and artist based in New York City. Her work has deployed both musical and visual media, including a noted series of performance works; multichannel sound installation; video; photography and hybrid forms drawing on these.\nBrian Kane holds degrees from the University of California, Berkeley (B.A. in Philosophy, 1996; Ph.D. in Music, 2006). Prior to joining the faculty at Yale, he was a Mellon Postdoctoral Fellow in Music at Columbia University (2006-2008).\n\n\n\n\n \nVENUE\nACFNY\n
URL:https://acfny.org/event/meet-the-composer-composer-peter-ablinger/
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://acfny.org/wp-content/uploads/2021/12/090922_MUS_Ablinger.jpg
END:VEVENT
END:VCALENDAR
