Judith P. Fischer, OBJECT SIAMOIS III, 2024, PVC and air, 65 x 78 ¾ x 65 in. (165 x 200 x 165 cm). Photo: Jorit Aust/Bildrecht

OCTOBER 8, 2024 - JANUARY 12, 2025

Judith P. Fischer and Uwe Hauenfels: Across Time. Form and Space.

Open daily from 10am – 6pm

Austrian Cultural Forum New York

11 East 52nd Street, New York

ABOUT THE EXHIBITION

The Austrian Cultural Forum New York (ACFNY) proudly presents the exhibition “Judith P. Fischer and Uwe Hauenfels: Across Time. Form and Space.” which features sculptures and site-specific installations by Austrian multi-media artist Judith P. Fischer (b. 1963) and the late Austrian sculptor Uwe Hauenfels (1967-2016). The exhibition highlights ACFNY’s commitment to regularly present a dialogue between two powerful artistic perspectives that bridges different approaches and interpretations within the same medium or genre. Within this context, it becomes evident that the works of Uwe Hauenfels and Judith P. Fischer harmonize particularly well in their mutual focus on nature and material.

 

Based in Vienna, Judith P. Fischer focuses on dynamic processes of change and transformation by intricately exploring how line, shape, and texture can define our perception of space. Her oeuvre spans sculpture, drawing, site-specific installation, photography, and performance. This persistent interplay between two-dimensional and three-dimensional expressions reflects Fischer’s detailed engagement with her overarching subject: the relationship between nature and art within the cycle of life.

 

At the ACFNY, Fischer will present a selection of small and large-scale sculptural works made from various materials, including rubber, steel, and acrylic glass. For instance, a site-specific installation made of elastomeric thread and spanning two floors of gallery space will traverse the divide between sculpture and drawing. Wall-mounted and coiling wire sculptures will speak to the inherent tension embodied in a curved line, while a group of meticulous pencil drawings of pillowcases reveal how volume is rendered through the eternal interplay of light and shade.

 

Rooted in naturalistic forms that relate to the human body, all of Fischer’s works are imbued with an overt sense of organic fluidity and depth. Indeed, the human body serves as a central theme in all of Fischer’s works, seldom as an outright subject, but rather as our main point of reference. Every piece of information that our senses gather—be it visual, oral, tactile, via smell, or taste—is experienced, filtered, and assessed through our body and understood in relation to it. It is our individual physical makeup that determines whether we deem something small, large, cold, sour, beautiful, or soft, and Fischer‘s work manifests as a multi-faceted meditation on body consciousness.

 

Meanwhile, in the largest gallery space at ACFNY, a selection of medium-sized metal sculptures by Uwe Hauenfels offers a contemplative exploration of the artist’s extensive body of work. Alongside sculptures crafted from metal and wood, Hauenfels’s portfolio includes notable contributions to light installations. Featured prominently are pieces from his acclaimed series “Spatial Drawings” (“Raumzeichnungen”), initiated in 2001 and continued until his passing in 2016. Having grown up in a region with a strong tradition of metalwork, Hauenfels returned to his birthplace of Waidhofen/Ybbs (Lower Austria) in 1993 after a creatively productive stay in the United States the previous year, where he had spent time in Missoula, Montana, and Seattle, Washington. The impact of this experience is evident in his 1993-1995 series, “Color Visions,” which he had produced in New York as prints on vinyl.

 

Each sculpture within the “Spatial Drawings” series is rendered in a distinct hue, sometimes echoed in the work’s title, such as “Radish Color.” Drawing loose inspiration from calligraphic forms, the sculptures range in appearance from geometric to biomorphic. Through meticulous manipulation of wire of varying thicknesses, Hauenfels achieves compositions that convey a sense of dynamic movement and organic energy.

 

The sculptures’ presence is subtly animated by carefully considered lighting, which enhances their visual impact. Illumination casts delicate shadows that interact with both the sculptures’ forms and the space surrounding them, creating an atmosphere that encourages contemplation and engagement.

 

“Judith P. Fischer and Uwe Hauenfels: Across Time. Form and Space.” invites viewers to immerse themselves in the artists’ distinctive exploration of materiality and form, showcasing their ability to transform materials into expressive conduits of shape and space. Contrary to the fast-paced hustle and bustle of today’s world, characterized by its perpetual exhilaration, this exhibition offers a serene alternative: a space conducive to introspection and deep appreciation for the subtleties of expression and perception.

ABOUT THE ARTISTS

Born in 1967 in Waidhofen an der Ybbs, Uwe Hauenfels studied at the Woodcraft School Hallstatt, HTBLA Master School for Art and Design in Graz, and the Academy of Fine Arts Vienna under Professor Franz Xaver Ölzant. Extended stays in the United States, Canada, China, and Croatia, profoundly influenced his diverse body of work. In 1996, Hauenfels co-founded the Kunstbank Ferrum association with cultural manager Gerhard Junker, prompting a series of exhibitions and publications. Together with his wife, Theresia Hauenfels, he curated the traveling exhibition “Building for the Arts. Contemporary Architecture in Lower Austria,” which toured through Europe.

 

Judith P. Fischer was born in 1963 in Linz and grew up in Lower Austria. She pursued her higher education in Vienna, demonstrating her versatility and commitment to the arts by earning degrees in both sculpture and music. She graduated from the University for Applied Arts in Vienna with a degree in sculpture in 1991 and completed her training as a classical singer at the University of Music in 1990. In the initial phase of her career, she remained dedicated to both sculpture and music. However, over time, her focus shifted predominantly to sculpture. Her work is deeply influenced by her early experiences in the natural landscapes of Austria and her academic background in both sculpture and music. She is a professor at the University for Applied Arts in Vienna.

AUSTRIAN CULTURAL FORUM NEW YORK

Dr. Susanne Keppler-Schlesinger: Director at the Austrian Cultural Forum New York is an Austrian career diplomat and has been working in the field of multilateral and bilateral diplomacy for 30 years. Her previous assignments include positions in Vienna, Paris and New York. She also served as Dep. Director of the Vienna School for International Studies/Diplomatische Akademie Wien. She holds a PhD in Musicology, French language and literature from the University of Vienna and a diploma as a concert pianist from the Vienna Conservatory of Music.

 

Dr. Stephanie Buhmann: Head of Visual Art, Architecture & Design at the Austrian Cultural Forum New York is a historian of art, architecture and design. She has written extensively on visual art and her essays have appeared in a variety of books, international art magazines, and newspapers. Besides curating dozens of exhibitions, she has conducted over ninety published interviews with contemporary artists. In 2013 she conceived of an ongoing Studio Conversations series, focused on women of different generations working in diverse media. Her latest monograph Frederick Kiesler: Galaxies was published in 2023 (The Green Box, Berlin). She was a contributing author and co-editor of Roma Artist Ceija Stojka: What Should I Be Afraid of?, a publication released by Hirmer Publishers and the Austrian Cultural Forum New York in January 2024.

Tue ‒ Thu: 09am ‒ 07pm
Fri ‒ Mon: 09am ‒ 05pm

Adults: $25
Children & Students free

673 12 Constitution Lane Massillon
781-562-9355, 781-727-6090